Henrietta (1758), by Charlotte Lennox, is a funny, charming Fieldingesque novel about the adventures of the eponymous heroine. Henrietta is a very well-born young lady, down on her luck. She refuses to submit to her aunt's decree that she convert to Catholicism, and this leads to a downhill spiral that sees Henrietta go from being the niece of an earl to the servant of a succession of very silly women. What is remarkable about Henrietta is her unwavering sense of pride and dignity - she has no problem saying no to people, and is not willing to bend her principles or beliefs, even when it would mean significant financial gain (or the ability to escape certain sticky situations). Henrietta undergoes many misfortunes, and finds herself in situations where lesser heroines would have come completely unstuck, but her sense of pride and dignity never falter. She is not a prig, however, as she is willing to do a lot of things that proper women should never do (such as run away from home), so she is never a boring character.
I found this novel really wonderful. Henrietta is a great heroine, and mercifully does not faint as much as Lennox's Harriot Stuart. Lennox has wonderful comic timing and the social satire in this novel is brilliant. I really enjoyed her portrayal of Miss Woodby, which I think may just have influenced Austen's portrayal of Isabella Thorpe in Northanger Abbey. And Lord B's proposal to Henrietta echoes both Pamela and Pride and Prejudice. As Perry's introduction points out, this novel fits neatly between Fielding and Burney. Fielding is obviously a major influence on Lennox, particularly in her portrayal of comic types, and Burney obviously looked to Lennox's use of the bildungsroman.
While I am still giving The Female Quixote the Lennox prize, this is a very readable, funny and interesting novel about a woman who dares to stand up for what she believes in, despite the consequences.
Showing posts with label charlotte lennox. Show all posts
Showing posts with label charlotte lennox. Show all posts
Friday, December 26, 2008
Monday, December 1, 2008
The Life of Harriot Stuart
Charlotte Lennox's The Life of Harriot Stuart, Written by Herself (1750) is a Richardsonesque novel about a young woman's process of maturation. However, unlike Richardson's "angelic" victims, Harriot is a fiesty, fiery woman with a lot of flaws. She likes attention rather too much. She gets herself into all kinds of scrapes. She refuses to succumb to the eighteenth-century seduction plot (she actually stabs the man who is trying to rape her, which is awesome). She falls in love with one man, but admits to enjoying flirting with other men. Above all, Harriot is an intelligent heroine who never lets circumstances control her. I was surprised by how much agency Lennox gives her - she never has to "learn" as much as Arabella from The Female Quixote does, and her judgment and actions are almost always vindicated.This novel has additional historical interest, as it is partly set in mid eighteenth-century America. While Lennox never actually names New York and Albany (calling them N- and A- respectively), it's pretty clear that she is talking about them. Lennox provides an interesting glimpse of American society, based on her own experiences. Harriot has dealings with the native Americans, makes various observations on the nature of the American landscape, and at one point wanders through American wildlife by herself.
While I still think that Lennox's The Female Quixote is a stronger novel, The Life of Harriot Stuart is a very enjoyable novel, especially if you want to get something vaguely Richardsonesque, with a proto-feminist twist.
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